The Godfather. The story of a Mafia family dynasty and the transfer of power from father to son. The movie that made stars of James Caan, Robert Duval, Diane Keaton, and Al Pacino. The movie that proved to the world that Marlon Brando was no has been. Nominated for 11 Academy Awards, it also made a star of its director, Francis Ford Coppola.

What makes this movie so good? It is the perfect culmination of a great script (based on the excellent novel of the same name), a genius director working at his best, and a perfect cast. All these reasons are what inspire the clichés, such as; compelling, gripping, and intense. The story is that of a royal family. Brando plays the King, or in this case the Godfather. His princes are Michael, Sonny, and Fredo. There are rival families also vying for power. And when the King is shot down, confined to his bed, it is up to the Princes to rule his kingdom in his absence and try to hold the family together at the same time.

These are all ruthless people. They are killers, and criminals guilty of every conceivable crime, and yet you root for them throughout the movie. Despite all of it, these are very likable characters.

There are many underlying themes going on in this movie. Two of the most important are control, and of course; family.

To the Corleones, nothing is as important as family. The Godfather is a Mafia chief, but the words mob, or gang are never used. He is the head of the Family. He doesn't demand cash for his services, only loyalty and friendship. If you are loyal to him, you are part of his family. It has nothing to do with blood or even marriage. Carlo marries the Godfather's daughter, but he is not family. Johnny Fontaine is loyal, he is family. Tom Hagen is the adopted son, but he is family. Family is everything.

Control is what the Godfather seeks. Hence the puppet strings on the book cover and the movie poster. The Godfather will never be a puppet dancing on a string. He must hold the strings. He doesn't approve of lack of control. Thus, his love of Sonny, but lack of respect for his lack of control over his anger. Fredo also fails on this front, having no control over his lust for women. Only, the youngest son, Michael, seems to have the sense of control that the Godfather sees as all-important. Control over events, surroundings, your desires, and others, with the Godfather sitting in the center of the whirlwind, holding all the strings.

It is the ultimate clashing of these two themes that drive the underlying tension of the movie. The Godfather values family and control. What happens when the one thing he can't control, is his family? His family is his one blind spot. He can't control whom his daughter marries, or Sonny's anger, or Fredo's ineptness, or Michael's decisions. He completely overlooks his godson's faults. He makes his adopted son, his chief advisor, even though he lacks the killer instinct to hold that office. In the end, it is his family that brings him down. It is even his own son who fails to protect him, when he is shot in the street.

There are so many things that could be said about this movie. That this was the movie that gave us the modern version of the Mob family. A version which really hasn't changed, nearly thirty years later. So many classic lines, “I'm going to make him an offer he can't refuse. It's not personal. This is business." The vernacular that passed into our language, “He sleeps with the fishes. Go to the mattresses. Made his bones."

Every scene in this movie is a classic, but there is one that always stands out in my mind. Michael (Al Pacino) stands guard outside the hospital where is father is lying after being shot. Next to him, is a friend, Enzo the Baker. Michael knows there are men coming to kill his father. A long, black car pulls up, two men peer out of it at them. Michael reaches for a non-existent gun inside his jacket, and the car drives off. Enzo removes a pack of cigarettes from his pocket and tries to light one, but his hands are shaking too much. Michael takes the lighter and does it for him. As he snaps the lighter shut, he glances at his hands. They are rock steady. And Michael will never be the same.

The whole scene is shot without dialogue, but so much is said in that one simple shot of Michael looking at his hands. Until that moment he was not with the family. From then on, he will never be apart from it. He controlled his fear. And that says it all.

Patrick
One element of the iconic status of this film apart from the many reasons Scott stated above, (all of which I agree with by the way), is that it sits poised perfectly between old Hollywood and new. The way The Godfather is shot, as well as the period look of it, are representative of the golden age of cinema. Even the casting of Marlon Brando reflects a sentimental nostalgia. However the brutal violence, the attitude of the characters and the realism in how the subject matter is shown are definitely products of the new era of film making that was happening in the early seventies. You can categorize movies as either pre-Godfather or post-Godfather.

The chilling moment when the horse's head is discovered in the movie producer's bed is by far the most famous scene in the movie. It is still powerful and shocking even after many viewings. My favorite scene however, is Vito's death among the tomato vines with his toddler grandson as lone witness. It is incredibly realistic and how poignant that this man who led a life of brutality should die in such an innocent manner. It is because of moments like this that we care so deeply about these ruthless individuals.

So though it is a tired cliché by now to rank The Godfather, along with Citizen Kane and Casablanca, as the greatest American movie of all time, it is also accurate to do so. It is definitive and timeless.

Eric
The Godfather sucks. It's long and tedious. It lacks any tension or real characterization. I have sat through more exciting laundry detergent commercials.

By no means is the above sentence how I actually feel about The Godfather. However, it was the only original line I could come up with to say about this movie. It is one of those rare films that is actually as great as everyone says it is. My brothers did a great job on this movie and I have little to add.

This movie is what soap operas would be if they were made for men. All the women are complacent or sluts, or both. All of the family's problems are about money. Killing people for it or because of it. No one whines about emotional girly problems. And if they do they get ignored. This is a man's melodrama, baby! Problems get solved by homicide or at the very least, a good ass whipping.

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