Scandal Movie Poster

US Release Date: 04/28/1989


Directed by:Michael Caton-Jones


Movie Review


"In 1960 Christine Keeler met Mandy Rice-Davies. Three years later they brought down the British Government"
Reviewed on: October 26th, 2011
John Hurt and Joanne Whalley in Scandal.

John Hurt and Joanne Whalley in Scandal.

Here's a story that seems to have it all: sex, spies, drugs, celebrities and politics. It was the scandal of its day and it's no exaggeration to say that it brought down a government. In many ways, it marks the end of the 1950s and the start of the 1960s in Britain. It caused disgrace to the already beleaguered Conservative government of Harold MacMillan and Alec Home and allowed the Labour government of Harold Wilson to sweep to power. A movie, or even a mini-series detailing the events of the scandal seems like a can't miss idea, and yet the result here is a well acted and produced film that never quite engages the audience on an emotional level.

It  tells the story of Christine Keeler (Joanne Whalley), an attractive young woman from a poor background who, when the story begins in 1960, is working at a nightclub as a dancer. Stephen Ward (John Hurt) is an Osteopath to the rich and powerful. As a side hobby he cultivates women like Christine and introduces them to his friends.

He takes a special interest in Christine and introduces her to, among others, a Russian diplomat/spy named Ivanov and the Minister for War John Profumo (a shaven headed Ian McKellan), both of whom she has an affair with. Eventually Stephen drops Christine when a drug dealing boyfriend of hers starts shooting a gun outside of Stephen's flat. When you're the Osteopath for the royal family, the one thing you don't want is your name tainted by scandal in the papers.

After she's left in a lurch with no where to live, Christine sells her story to the tabloids and the publicity that Stephen was hoping to avoid becomes the biggest story of the year. Although at first Profumo denies the affair, he is soon forced to admit it and resign. Stephen is accused of being a pimp and is brought up on charges and all of his high-powered friends desert him. Meanwhile Christine and her friend Mandy Rice-Davies get their fifteen minutes of fame in all the newspapers of the day.

The problem I had with the way the story is told is that no one comes off as sympathetic. Okay, so maybe no one involved in the scandal was sympathetic, but for the sake of the movie someone needed to be. The movie starts from Christine's point-of-view. She's young and impressionable, but she embraces the lifestyle that Stephen shows her with open arms and legs. Stephen comes across as a free spirit and a little slimy. As the story goes on, the point-of-view switches from Christine to him. Suddenly he's shown as someone left hung out to dry with no friends. But then he's the one who ditched Christine at the drop of the hat and used who knows how many other young women before her. Profumo is an adulterer and a liar and so is no sympathetic character either. In short, there's really no one to root for and care all that much about.

Perhaps the most likable character in the whole film is Mandy. She's chirpy, bubbly and seems to be enjoying herself throughout it all, which is more than can be said of just about anyone else in the story. Bridget Fonda, who does several nude scenes, seems to be having fun in the part. Her English accent isn't the best, but she still makes it work. Her scene on the witness stand is the highlight of the movie.

The performances are all around first rate. John Hurt does a very nice job as Stephen and I really do wish the entire movie had been told from his point of view. To me he's the most interesting character in the story and he certainly has the most tragic ending. Everyone looks the part, I just wish the movies was as good as it looks.

While sex scandals are as common today as young women famous for little more than their sex lives, it was quite the novelty in the early 1960s. The Kardashians, Paris Hilton and all their ilk should be grateful for Keeler and Rice-Davies. They were the pioneers of fleeting tabloid celebrity brought on by sexual escapades.

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