Directed by: Stephen Frears
Starring:

Helen Mirren keeps a stiff upper lip as HRH Queen Elizabeth II.
Photo copyright: Miramax (2006)
Helen Mirren stars as Queen Elizabeth II, and plays her to perfection and an almost certain Oscar nomination. As the movie opens she welcomes newly elected Prime Minister Tony Blair to Buckingham Palace for the traditional meeting where she will ask him to lead her government. Before the meeting she is prepped by one of her advisors who is scandalized by reports that Blair actually encourages his staff to refer to him as Tony, and that his wife has connections to an anti-monarchy movement. Blair, who ran on a platform of modernization, seems the antithesis to the tradition and protocol loving Queen. At this meeting she makes it a point to remind him that he is her tenth Prime Minister and that her first was none other than Winston Churchill who showed up for their meeting in a top hat and tails.
Just a few weeks later Tony's and the Queen's relationship is put through its first test when the former HRH Diana is killed in Paris. The Queen and other members of the Royal Family react with restraint according to custom. The Queen wants to follow exact protocols that have been in place for hundreds of years. Tony, on the other hand, sensing the mood of the people, reaches out with an impassioned speech in which he famously referred to Diana as the People's Princess. To the British public and fans of Diana's around the world, Tony's response is seen as the correct one, while the Queen and family is seen as cold and uncaring. The main plot of the movie covers the week following Diana's death, culminating with the Queen finally, and reluctantly coming down to London from her summer home in Scotland, to make her public statement about the princesses' death.

Michael Sheen plays man of the people, Prime Minister Tony
Photo copyright: Miramax (2006)
Both Sheen as Blair and Mirren as the Queen deserve credit for their performances. Neither of them do impersonations so much as they simply embody their respective characters. They look just enough like their subjects, but it is the performances that bring them to life.
The reaction of the British people and others around the world came as a shock to the Royal family, but the thing is, the Royal family never changed. They were simply behaving in the way they'd always done. It was the world that changed and the Royals were unprepared for it.

Mirren does a fine job, even if her main job is only to look dour and sour. Photo copyright: Miramax (2006)
This movie plays like a true story. Whereas the Queen's movement, or lack their of, is historical fact, most of the conversations that happen in this movie are speculative so it cannot be considered as fact. My question, as I watched this film, was what was William's and Harry's role in any of this? I remember that it made news when they escorted The Queen and their father to look at the flowers at the gate. The movie has you believe that it was due to the Prime Minister's intervention. I get the feeling that the boys may have played some role in it. The only time they get any screen time is when they are shuffled off to go hunting with their grandad, as if it is some sort of therapy.
Mirren does her role proud but she has little to do other than look dour and otherwise sour. Her expression rarely changed the entire movie. She is given accolades for humanizing Elizabeth, but that credit is really due to the script as much as it is her performance.
The writing is well done and uses great symbolism in one important scene. Elizabeth is stuck in a river that is rushing by her. She sits on the side of the moving river, as it moves past her. She turns and sees a stag with huge antlers. She hears the hunters and shoos the stag away. The stag obviously represents herself. The antlers her crown.
The Queen even works as a comedy. Phillip skulks around as a grumpy old man complaining about everything from their own subjects to bothersome phone calls that cause their tea to get cold. Mirren may be getting all of the credit for this movie but it deserves to be spread amongst everyone involved in making it, including Diana, who is still being talked and written about some 10 years after her death.
Photos © Copyright Miramax Films (2006)