Directed by: Bruce A. Evans
Starring:
Costner brings his entire career of playing charming rogues with him into this role and then twists it darker. Photo copyright: MGM (2007)
Costner plays the title character, a successful businessman, husband and father who has just been named man of the year by the chamber of commerce. Later that night, following the awards ceremony, he celebrates by stealthily breaking into a house and shooting dead its two occupants, in mid-coitus; the act of which brings him to an orgasmic state. It seems that along with being man of the year, Mr. Brooks is also the serial killer known as the Thumb-Print Killer. His dual-nature is shown in the movie quite literally by the character of Marshall (played with sadistic glee by William Hurt); a figment of Brooks' mind that only he can see.
A day later, Brooks is contacted by "Mr. Smith", a young man who witnessed the murders through the open window where he was spying on the couple and snapping pictures of them. Smith doesn't want money or to go to the police however, he wants to accompany Mr. Brooks on his next murder.
There are several complicated subplots. Detective Tracy Atwood (Moore), the driven police woman on the trail of the Thumb-Print Killer, is involved in a messy divorce and is also dealing with another old case. Mr. Brooks pregnant daughter turns up on their doorstep one day having dropped out of her college, where a murder has taken place. While at first several of these plots seem superfluous, they all end up tying together nicely.
Admittedly, the plot of this movie stretches the boundaries of believability several times. Coincidences abound throughout its length. And yet, none of them really bothered me because I always wanted to know what was going to happen next and the movie even managed to surprise me a few times.
Just your average family man/serial killer. Photo copyright: MGM (2007)
Hands down though, it is Costner that gives this movie life, as opposed to his character, who brings death to his victims. Despite the fact that he is seriously fucked up in the worst possible way, somehow you still want him to outwit Atwood and Mr. Smith. Although the movies are in no way similar in any other way, this character trait is reminiscent of Hannibal Lecter; another serial killer who, while you might want him to get his just desserts, you don't want it to be cheap or by someone less intelligent.
So far 2007 has seen a drought of good movies. Finally, for perhaps only the second time so far this year, I can actually recommend one to go see with Mr. Brooks.
As Scott wrote, this role could have gone in any direction in less capable hands. Costner plays a sadistic murderer, yet we do not necessarily want him to be caught, even though he needs to be stopped. He comes across as a loving husband and father who just happens be addicted to the rush of killing. We do not actually want him to keep killing, but we do not actually want to see his world come crumbling down. Costner is so good at making us see this monster's weaknesses and affection for his family that he becomes quite scarily real.
Although Costner does a great job at making us empathize with him, Cook's performance cannot keep up. He plays a man fascinated by Brooks's murders, and wants to experience it for himself. He simply shows up and is all excited to participate. The movie never says why. His demons are never explored. It is as if murdering is just a new drug that he wants to try. Just staring at a couple having sex is not enough anymore, so he has to go for a bigger rush, much like a marijuana smoker moving on to meth. My favorite line about Cook, who is also a stand up comic, is when Brooks says, "Even if that guy was charming and funny, I still wouldn't like him."
The cast is rounded out with Demi Moore. She plays the detective trying to catch Brooks, while going through an ugly divorce. She really has a thankless role. A couple of her scenes could have been trimmed. At least three different times she mentions that there must be a witness to the murder in the building facing the open window. I have always liked Moore, but I wonder about her screen time being increased simply because it was her and not a lesser known actress. The two plots intertwine nicely, but I would have enjoyed -spoiler alert- Moore and Costner sharing a scene together.
Credit for this delicately played story must also go to Evans, who co-wrote and directed this. He also wrote the, slightly macabre, screenplay for Stephen King's Stand By Me, which featured some soul searching by some boys on their way to see a dead body. Here, he lets us see Brook's dedicated family life as well as his tortured dark side, that has fun when he gives himself over to it.
Photos © Copyright MGM (2007)