Logan Marshall-Green and Richard Gere as Brooklyn's Finest.

No doubt some people will tell you otherwise, but I believe most folks watch movies for a happy ending. We want to root for a likable character to succeed. In a horror film, we want the hero/heroine to come through okay. We want that sports team to win, or that couple to end up together. Look at the most successful films in history. Luke blows up the Death Star. Maria and family make it over the Alps. Rose has a lifetime of happiness and freedom. Some films are a bit more subtle, such a Rocky losing the fight but regaining his self respect. Scarlett loses Rhett, but gets what she has coming.

Brooklyn's Finest is essentially a great film. It has amazing performances and tense moments. You will invest yourself in the characters. It forgets however, to reward the audience with a happy ending. It features three different Brooklyn police officers, in three different story lines that only scratch each others. Each policeman is stressed to the breaking point. All are fleshed out, and we come to know and understand them.

Eddie is a week away from retiring. He is given a rooky to train. He does not want to, but has to put up with him none-the-less. He is a divorced alcoholic, who frequents a particular prostitute, favored by policemen. She and retirement are the only things he has going for him.

Tango is under cover, and has been for awhile. His wife is leaving him as he has to be away from her. He wants it to be over. Things get worse when he is asked to snitch on a former friend.

Sal is a religious, married father, struggling with trying to buy a new house for his family. He is easily the most sympathetic character. His wife is expecting twins and he has turned to stealing drug money during busts. At one point he goes to confession where he barks at a priest who just told him God forgives him, "I don't want his forgiveness. I want his help!"

The three leads are all great. Hawke seems the most natural. He is intense one minute and completely vulnerable the next. Cheadle is one of my favorite actors. He has to play two characters at once. He is Clarence the under cover cop who is pretending to be a thug, Tango. You never know when he is playing the part or actually coming unhinged. Gere has the least range of the three actors, but he stays in his comfort zone and pulls it off.

So much time is given to each of these men that you really get to know them. So often cops seem to be very generic characters in movies, but here they are all distinct. By the end of the movie we want to leave these guys better off than how we found them. We do not. I will not give details, but none have a happy ending. 

Brooklyn's Finest is very well made.  It is gritty and absorbing, but I want movies to make me feel good, not depressed.  Only Gere's story line comes close to ending on a positive note, but it is more ironic than outright satisfying. 

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